,,t4ew0cbG1IU,UC3ScyryU9Oy9Wse3a8OAmYQ, Politics,Society, channel_UC3ScyryU9Oy9Wse3a8OAmYQ, video_t4ew0cbG1IU,The complex, contentious U.S.-China relationship is a high-profile issue President-elect Donald Trump will face in his second term. FRONTLINE’s timely investigation traces China’s emergence as one of the world’s wealthiest and most repressive countries, and the role of its longtime president, Xi Jinping.
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Offering a comprehensive look at Xi’s vision for China and the broader implications — from his crackdown on Muslims in Xinjiang to his provocative ambitions for Taiwan — “China, the U.S. & the Rise of Xi Jinping” also probes the state of China’s economy and its trade war with the U.S., the hostile China-U.S. relationship, the ramifications and what may come next.
With China largely shutting out the international media, the two-hour documentary draws on interviews with former Chinese Communist Party members, exiled human rights and democracy activists, academics, authors and journalists to trace the events that shaped President Xi. It examines the trajectory of his life, from being sent to the countryside to perform hard labor during the Maoist revolution, to his embrace of the Chinese Communist Party and his rise through its leadership, to how he has tightened his grip throughout his presidency.
“China, the U.S. & the Rise of Xi Jinping” is a FRONTLINE production with RAIN Media, Inc. The producers are Martin Smith, Marcela Gaviria and Brian Funck. The correspondent is Martin Smith. The co-producers are Scott Anger and Elizabeth Hope Williams. The writers and directors are Marcela Gaviria and Martin Smith.
Explore reporting related to “China, the U.S. & the Rise of Xi Jinping” on our website:
https://www.pbs.org/wgbh/frontline/documentary/china-the-u-s-the-rise-of-xi-jinping/
#Documentary #China #XiJinping #TradeWar
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from the Charina Endowment Fund and from Koo and Patricia Yuen.
CHAPTERS:
0:00 - Prologue
07:02 - How Did Xi Jinping’s Past Shape Him?
17:18 - Living in Communist Leader Mao Zedong’s China
21:25 - Xi’s Entry Into Local Politics in the 1980s
26:08 - The 1989 Tiananmen Square Protests and Crackdown
34:08 - Xi’s Rise to the Top of China’s Political Leadership
44:56 - Document Number Nine, the Chinese Government’s Internal Memo
53:19 - How China Treats Uyghur Communities in Xinjiang
1:04:51 - The U.S.-China Trade War During President Trump’s First Term
1:13:18 - How China Seeks to Gain Control of the South China Sea
1:19:14 - China and Hong Kong’s Relationship During Xi’s Tenure
1:27:31 - China and Taiwan’s Relationship During Xi’s Tenure
1:45:39 - Looking Ahead to China’s Future Under Xi
1:53:24 - Credits
,,wFz-CdtQwYo,UC3ScyryU9Oy9Wse3a8OAmYQ, Politics,Society, channel_UC3ScyryU9Oy9Wse3a8OAmYQ, video_wFz-CdtQwYo,Returning to voters filmed in 2020, this 90-minute documentary explores how their hopes and fears have changed amid another polarizing election season.
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“American Voices 2024” begins in 2020, following ordinary Americans with different viewpoints as they dealt with COVID-19 in their communities that spring, responded to George Floyd’s murder that summer, and then participated in the election and its aftermath that fall. Then, the documentary revisits those same Americans from a mix of urban, rural and suburban areas as they reflect on the past four tumultuous years, navigate health and economic challenges, and share their perspectives on politics today.
Filmed everywhere from Texas to California; from Virginia to Minnesota; and from Iowa to Oregon, “American Voices 2024” is a journey across geography, race and politics that sheds light on where our country has been — and where it is headed.
“American Voices 2024” is a FRONTLINE production with Five O’Clock Films in association with DEC8 Productions and Mike Shum Productions. The producers are Qinling Li and Arthur Nazaryan. The writers are Qinling Li and Mike Shum. The director is Mike Shum. The senior producers are Callie T. Wiser and Frank Koughan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore reporting related to “American Voices 2024” on our website:
https://www.pbs.org/wgbh/frontline/documentary/american-voices/
#Documentary #Election2024 #Politics #UnitedStates #Economy #Health
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from the Charina Endowment Fund and from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
03:00 - How Some Americans Responded to the COVID-19 Lockdown in 2020
14:28 - A Woman Who Contracted COVID and a Doctor Recall the Virus’ Challenges
19:33 - How Americans Viewed the Protests That Followed George Floyd’s Murder
39:58 - How Some American Voters Felt About the 2020 U.S. Presidential Election
53:31 - What Some Voters Think About America in 2024
1:08:52 - Ordinary Americans React to the 2024 Presidential Debate Between Harris and Trump
1:12:47 - U.S. Voters Share Their Hopes and Fears About the Future
1:22:17 - Credits
,1,The 2009 FRONTLINE documentary “Black Money” examined bribery allegations against international companies and explored how prosecutors around the world cracked down on the practice. (Aired 2009)
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As pressure for profits increased on corporations during the global financial downturn of the late 2000s, the U.S. Department of Justice pursued an aggressive crackdown on an international business tactic: bribery. The 2009 documentary “Black Money” examined this shadowy side of international business. The film shed light on how some multinational companies routinely made secret payments — often referred to as “black money” — to win billions in business, and explored the crackdown being waged by prosecutors at the U.S. Department of Justice and allies abroad against companies including the British-based multinational defense company BAE Systems.
Explore developments in the BAE Systems case since this documentary aired:
https://www.pbs.org/frontlineworld/stories/bribe/2010/02/bae-to-pay-more-than-400-million-in-us-and-uk-fines.html
Explore reporting related to “Black Money” on our website:
https://www.pbs.org/wgbh/frontline/documentary/blackmoney/
#Documentary #BlackMoney #CorporateBribery
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,The 2007 documentary “Spying on the Home Front” examined then-President George W. Bush’s domestic war on terrorism and its implications for Americans’ civil liberties. (Aired 2007)
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The attacks on 9/11 altered America in many ways, from barricades and body frisks in airports to greater government scrutiny of people’s records and electronic surveillance of their communications. The watershed, officials told FRONTLINE in the 2007 documentary “Spying on the Home Front,” was the government’s shift to a strategy of pre-emption at home — not just prosecuting terrorists for breaking the law, but trying to find and stop them before they struck.
The documentary probed the ramifications of that strategy, explored how the National Security Agency’s domestic surveillance program worked at the time, and examined various viewpoints on whether the Bush administration violated the Foreign Intelligence Surveillance Act and infringed on constitutional protections.
Read an update involving an AT&T case featured in the film:
https://www.pbs.org/wgbh/frontline/article/how-att-helped-the-nsa-spy-on-millions/
Watch FRONTLINE’s later films on U.S. government surveillance programs:
https://www.pbs.org/wgbh/frontline/documentary/united-states-of-secrets/
Explore related reporting on our website:
https://www.pbs.org/wgbh/frontline/documentary/homefront/
#Documentary #Surveillance #CivilLiberties #NSA
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
08:01 - How Government Surveillance in the U.S. Changed After the 9/11 Attacks
16:58 - Revisiting the National Security Agency’s Post- 9/11 Surveillance Mechanisms
31:56 - A Look Back at Surveillance in One American City: Las Vegas
53:09 - Credits
,1,FRONTLINE investigates the roots of the federal criminal case against former President Donald Trump stemming from his 2020 election loss.
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In March, 2024 Republican presidential nomination front-runner Trump is scheduled to begin standing trial on federal charges, including conspiracy to defraud the U.S., in connection with efforts to overturn his 2020 election loss. He says the charges against him are politically motivated.
“Democracy on Trial” traces the road to this unprecedented moment, and examines the implications of the historic criminal case unfolding in the midst of a presidential election year. Drawing on court documents and revelatory interviews with elected officials, former government lawyers, House Select Committee witnesses and former committee staffers, authors and journalists, the documentary reports that the work of the House Select Committee investigating the Jan. 6 Capitol attack provided the groundwork for special counsel Jack Smith’s indictment of Trump and may offer insights into how the trial unfolds.
The documentary chronicles how the committee built its case against Trump and tried to prove his intent, how it chose to present its case to the American public, and criticisms of its work. Key witnesses who testified before the committee and whose firsthand accounts are now evidence in the federal case speak out in the documentary — including Georgia Secretary of State Brad Raffensperger, Georgia election official Gabriel Sterling and former Arizona Speaker of the House Rusty Bowers.
Gripping and illuminating, “Democracy on Trial,” the newest film from FRONTLINE’s award-winning political team, Michael Kirk, Mike Wiser and Vanessa Fica, also examines how Trump has challenged the case. Trump has pleaded not guilty and made the legal argument, now being reviewed by an appellate court, that he has “absolute immunity” from prosecution for his actions while in office.
“Democracy on Trial” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporters are Vanessa Fica and Brooke Nelson Alexander. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to “Democracy on Trial" on our website:
https://www.pbs.org/wgbh/frontline/documentary/democracy-on-trial/
#Documentary #DonaldTrump #January6
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Additional support for this program is provided by the Jonathan Logan Family Foundation.
CHAPTERS:
00:00 - Prologue
00:43 - Donald Trump, the First Former U.S. President Charged With Crimes in Office
05:10 - How the House Jan. 6 Committee Was Formed
26:14 - What Did Former President Trump Know About the 2020 Election Results and When Did He Know It?
44:06 - A Georgia Election Official’s Warning to Trump About Potential for Violence
51:17 - Arizona Lawmaker Rusty Bowers Recalls Call With Trump: ‘You’re Asking Me to Break My Oath’
1:03:02 - Poll Workers Caught in an Election Fraud Conspiracy
1:16:37 - Brad Raffensperger Describes His Georgia Election Phone Call With Trump
1:24:21- Trump’s Call for a “Big Protest” in D.C. on Jan. 6, 2021
1:34:23 - The Pressure on Trump’s Justice Department in the 2020 Election’s Aftermath
1:42:10 - President Trump, Vice President Pence and the Jan. 6 Election Certification
1:54:04 - Trump White House Aide Cassidy Hutchinson Testifies Before the Jan. 6 Committee
2:05:21 - House Select Committee Examines What President Trump Did for 187 Minutes on Jan. 6
2:17:55 - Former President Donald Trump’s Looming Trial
2:21:58 - Credits
,1,Rusty Bowers is one of numerous Republican witnesses who share inside accounts of former President Donald Trump’s alleged efforts to overturn the 2020 election results in "Democracy on Trial," a 2.5-hour special on the roots of the federal criminal case against Trump, and how Trump has challenged the case. Watch an excerpt now.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
For the full story, watch "Democracy on Trial" starting Tues., Jan. 30, 2024:
https://www.pbs.org/wgbh/frontline/documentary/democracy-on-trial/
“Democracy on Trial” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporters are Vanessa Fica and Brooke Nelson Alexander. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to “Democracy on Trial" on our website:
https://www.pbs.org/wgbh/frontline/documentary/democracy-on-trial/
#Documentaryexcerpt #DonaldTrump #2020election
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Additional support for this program is provided by the Jonathan Logan Family Foundation.
,1,Amid concerns of a widening conflict in the Middle East, correspondent Ramita Navai reports from the West Bank about the growing tensions on the ground.
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With the war raging in Gaza, Navai investigates rising support for militant groups, including Hamas, since the Oct. 7 attack, Israel’s ongoing military campaign in the West Bank and the implications for a region on edge.
Explore additional reporting related to "Israel’s Second Front" on our website:
https://www.pbs.org/wgbh/frontline/documentary/israels-second-front/
“Israel’s Second Front” is a FRONTLINE Production with Quicksilver Media. Produced, filmed and directed by Karim Shah. Reported and produced by Ramita Navai. The senior producers are Eamonn Matthews and Frank Koughan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #Israeli-Palestinian Conflict #WestBank #Gaza #Israel
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,Watch the prologue for "Israel's Second Front," an on-the-ground report from the West Bank premiering Jan. 23 on FRONTLINE.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
With the war raging in Gaza, correspondent Ramita Navai investigates rising support for militant groups, including Hamas, since the Oct. 7 attack, Israel’s ongoing military campaign in the West Bank and the implications for a region on edge.
Explore additional reporting related to "Israel’s Second Front" on our website: https://www.pbs.org/wgbh/frontline/documentary/israels-second-front/
“Israel’s Second Front” is a FRONTLINE Production with Quicksilver Media. Produced, filmed and directed by Karim Shah. Reported and produced by Ramita Navai. The senior producers are Eamonn Matthews and Frank Koughan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,In this 2009 follow-up to the groundbreaking documentary “The New Asylums,” FRONTLINE examined what happens to people who are living with mental illness when they leave prison. (Aired 2009)
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In 2005’s “The New Asylums,” FRONTLINE filmmakers Karen O’Connor and Miri Navasky went deep inside the Ohio prison system as it struggled to provide care to thousands of inmates with mental illness.
In 2009’s “The Released,” they returned to Ohio to tell the next chapter in this story. That year, more than 700,000 people were expected to be released from prison across the U.S., more than half of them dealing with mental illness. Typically, these people would leave prison with a bus ticket, $75 in cash, and two weeks' worth of medication to treat their illness. Studies from the time showed that nearly two-thirds of people with mental illness released from prison — often poor and out of touch with friends and family — were rearrested within 18 months. “The Released” offered an intimate look at the lives of people with serious mental illnesses who were released from prison but struggled to remain free.
Explore additional reporting related to "The Released" on our website:
https://www.pbs.org/wgbh/frontline/documentary/released/
#Documentary #Prison #MentalHealth
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - A Tragic Cycle for People With Mental Illness
9:56 - For People With Mental Illness, a Difficult Transition to Post-Prison Life
19:29 - The Revolving Prison Door
26:28 - A Model for Community Treatment of People With Mental Illness
34:36 - For People With Serious Mental Illness, ‘A Huge Social Failure’
43:27 - What Comes After Prison Release for People With Serious Mental Illness?
52:47 - Credits
,1,Nearly half a million people in America’s prisons and jails were dealing with mental illness in 2005. FRONTLINE examined mental health in the prison system. (Aired 2005)
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When “The New Asylums” was originally released, 16 percent of America’s prison population could be classified as having a severe mental illness such as schizophrenia, major depression or bipolar disorder, according to National Alliance for the Mentally Ill. The numbers were much higher when taking into consideration other types of mental illnesses and disorders.
As sheriffs and prison wardens became the unexpected and ill-equipped gatekeepers of this burgeoning population, they raised a troubling issue: were jails and prisons turning into America’s new mental hospitals?
With unprecedented access to prison therapy sessions, mental health treatment meetings, crisis wards, and prison disciplinary tribunals, FRONTLINE went inside Ohio’s state prison system to present a searing exploration of the complex topic of mental health behind bars and a moving portrait of the individuals at the center of this issue.
Explore additional reporting related to "The New Asylums" on our website:
https://www.pbs.org/wgbh/frontline/documentary/showsasylums/
#Documentary #Prison #MentalHealth #MentalIllness
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
01:06 - People With Mental Illness Ending Up in Jails & Prisons
12:31 - How Prisoners With Severe Mental Illness Filter Into Maximum Security Prison
24:35 - Cycling Between the Prison Psychiatric Hospital and Maximum Security
34:41 - Solitary Confinement While Living With Mental Illness: ‘A Prison’s Prison’
38:56 - What Comes After Release For Prisoners With Mental Illness
52:49 - Credits
,1,FRONTLINE presented gripping, first-hand accounts of women who escaped the brutal reign of ISIS — and followed an underground network that helped them escape. (Aired 2015)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
In August 2014, ISIS massacred hundreds of men who were part of the Yazidi religious minority and took an estimated 3,000 Yazidi women and children captive. “Escaping ISIS” delivered a stunning look at the plight of those women and children, and the efforts of people trying to help them escape.
As the documentary reported, before ISIS overran his town in Northern Iraq, Khalil al-Dakhi was a lawyer. When ISIS seized territory in Iraq and Syria and declared a caliphate, al-Dakhi formed an underground railroad to help rescue those women and children held by ISIS.
Aeida, a 21-year-old Yazidi woman who was abducted by ISIS along with her two young children, talked about being held in a home that ISIS had turned into a prison for captured women. “Some nights I can’t sleep until the early morning hours because of the nightmares,” she said.
The documentary followed al-Dakhi and his team as they undertook the dangerous work of getting women like Aeida out of ISIS’ territory. It also followed the efforts of a cell smuggling secretly-shot footage of ISIS’ treatment of women out of ISIS-held territory.
Explore additional reporting related to "Escaping ISIS" on our website:
https://www.pbs.org/wgbh/frontline/documentary/escaping-isis/
#Documentary #Yazidi #Iraq #Syria
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
00:42 - An Underground Railroad to Rescue Yazidi Women and Children from ISIS
12:45 - A Yazidi Woman Describes ISIS Captivity
19:17 - Activists Secretly Film Life Under ISIS
30:59 - A Yazidi Family Escapes from ISIS & Other Survivors’ Stories
46:59 - A Message from Yazidis to ISIS: ‘We’re Staying’
51:49 - Credits
,1,In this short documentary produced in association with The Guardian, Iraqi-born reporter Ghaith Abdul-Ahad went inside the 2016-17 battle against ISIS for control of the key city of Mosul, Iraq. (2017)
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In “Battle for Iraq,” Ghaith Abdul-Ahad made a dangerous trip inside Mosul to examine the fight against ISIS and its toll. He spoke with civilians caught in the turmoil, members of Iraq’s elite special operations forces, known as the Golden Division, and captured ISIS fighters. During his reporting, he survived a suicide bombing and ISIS sniper and grenade attacks.
He found a complicated situation on the ground, including deep-seated mistrust of the Iraqi Army by the civilian population, who were suffering heavy casualties: “As we start driving in, you realize you’re not driving through a liberated neighborhood… you’re driving through a battle zone,” Abdul-Ahad said, adding that “this is a battle happening between two enemies on a land inhabited by civilians.”
“Battle for Iraq” was a FRONTLINE production with Mongoose Pictures in association with The Guardian. The reporter and correspondent was The Guardian’s Ghaith Abdul-Ahad. The producer and director was Joshua Baker. The senior producer was Dan Edge. The executive producer of FRONTLINE was Raney Aronson-Rath.
Explore additional reporting related to "Battle for Iraq" on our website:
https://www.pbs.org/wgbh/frontline/documentary/battle-for-iraq/
#Documentary #Mosul #Iraq
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:11 - The Fight Against ISIS in Iraq’s Second-Largest City
08:00 - Civilians Caught in the Battle for Mosul, Iraq
19:48 - Fighting ISIS, ‘A Vicious Enemy’
30:05 - Credits
,1,A visual investigation in collaboration with @WashingtonPost provides a detailed examination of how Hamas was able to breach Israel’s vaunted security barrier on Oct. 7, 2023, and carry out its attack.
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This special collaboration stems from a reconstruction by The Post, with additional on-the-ground reporting and riveting interviews that present a remarkable picture of how, as The Post reporters show, Hamas was planning the attack in plain sight, and Israel was blind to its own vulnerabilities.
“Failure at the Fence” is a FRONTLINE Production with Schonder Productions in association with The Washington Post. Written, produced and directed by Gabrielle Schonder. The correspondent is Jon Swaine. Reported by Jon Swaine and Joyce Sohyun Lee. The senior producer is Frank Koughan. The executive editor of The Washington Post is Sally Buzbee. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to "Failure at the Fence" on our website:
https://www.pbs.org/wgbh/frontline/documentary/failure-at-the-fence/
#Documentary #Hamas #Israel
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Joseph Azrack and Abigail Congdon and from Koo and Patricia Yuen.
,1,FRONTLINE and The Washington Post investigate how a young Air National Guardsman, Jack Teixeira, allegedly leaked classified documents on the Discord chat platform for over a year — and why he wasn’t stopped earlier.
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It was one of the biggest leaks of government secrets in U.S. history: more than 300 pages that included highly classified information from secret Pentagon assessments of the war in Ukraine, to revelations about Iran’s nuclear program, Chinese aircraft carriers and the killing of ISIS terrorists.
The leaked documents, which came to light in April 2023, were posted on the gaming and chat platform Discord, allegedly by 21-year-old Jack Teixeira, who had managed to get a security clearance despite a troubled past. What was his motivation? Why didn’t the military stop him? And what was the role of Discord, a privacy-oriented platform popular with teenage gamers?
FRONTLINE and The Washington Post investigate those questions in “The Discord Leaks.” From an award-winning team that includes FRONTLINE directors Thomas Jennings and Annie Wong and Post reporters Shane Harris, Samuel Oakford and Chris Dehghanpoor, the documentary draws on months of groundbreaking reporting by The Post, including access to hundreds of the leaked documents its reporters obtained. The documentary includes new collaborative reporting with FRONTLINE revealing in greater detail Texeira’s online world, and his history of violent threats, racism and conspiracy theories. The documentary also features exclusive on-camera interviews with the alleged leaker’s close online confidantes, Discord’s VP of trust and safety and a former head of the Air National Guard.
The FRONTLINE-Washington Post investigation raises tough questions about how the military’s vetting process addresses applicants’ internet activity, how Discord polices hate speech on its platform, and why the alleged leaker — who has pleaded not guilty — wasn’t stopped sooner despite multiple red flags.
To illustrate the extent of the leaked material, FRONTLINE and The Washington Post used images of classified documents in this film that had been previously released in news reports, on social media and elsewhere on the internet.
“The Discord Leaks” is a FRONTLINE production with 2over10 Media in association with The Washington Post. The producers and directors are Thomas Jennings and Annie Wong. The writer is Thomas Jennings. The Washington Post reporters are Shane Harris, Samuel Oakford and Chris Dehghanpoor. The senior producers are Dan Edge and Frank Koughan. The executive editor of The Washington Post is Sally Buzbee. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting on "The Discord Leaks" on our website and at washingtonpost.com:
https://to.pbs.org/3TlkJkg
#Documentary #DiscordLeaks #NationalSecurity
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting.Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; the Heising-Simons Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 – Prologue
1:11 – Washington Post Reporters Investigate the Discord Leaks
05:51– Alleged Discord Leaker Jack Teixeira’s Online World & a Police Report of Past Threats
13:36 – The Discord Chat Platform’s Rise and Its Approach to Privacy, Extremism
16:28 – Jack Teixeira’s Friends from Discord Server Describe Violent, Racist Content
23:53 – Jack Teixeira Gets Security Clearance & Enters Air National Guard Despite Troubled Past
32:13 – Jack Teixeira Becomes Administrator of Discord Server with Racist, Antisemitic, Conspiratorial Content
35:53 – In 2022, Jack Teixeira Allegedly Begins Sharing Classified Information on Discord
41:03 – Air Force Memos Show Jack Teixeira Was Warned About Looking at Certain Classified Information
42:58 - Jack Teixeira Changes His Approach to Allegedly Sharing Classified Information on Discord
45:46 – In April 2023, News Breaks About Search for Leaker of Secret Ukraine War Documents
49:55 – Federal Agents Take Alleged Discord Leaker Jack Teixeira Into Custody
51:59 - Credits
,1,Drawing on real-time, firsthand accounts, FRONTLINE, @ProPublica and @texastribune reconstruct law enforcement’s chaotic response to the May 2022 Uvalde school shooting and examine the missteps and lessons learned.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
Using official bodycam, audio and investigative interviews with responding officers, the documentary reconstructs how events unfolded at Robb Elementary School in Uvalde, Texas, giving a detailed analysis of one of the most criticized mass shooting responses in recent history, and providing real-time insight into law enforcement’s thoughts and actions.
The documentary and in-depth story co-published by the news organizations provide powerful accountability reporting about what went wrong in the response to one of the worst school shootings in U.S. history.
“Inside the Uvalde Response” is a FRONTLINE production with The Documentary Group in association with ProPublica and The Texas Tribune. The director is Juanita Ceballos. The producers are Juanita Cellabos and Michelle Mizner. The co-producer is Lauren Prestileo. The writer is Juanita Ceballos. The senior producers are Nina Chaudry and Gabrielle Tenenbaum. The reporters are Lomi Kriel and Lexi Churchill (ProPublica/The Texas Tribune) and Jinitzail Hernandez (The Texas Tribune), with editing by Zahira Torres of ProPublica and The Texas Tribune. The editor-in-chief of ProPublica is Stephen Engelberg. The editor-in-chief of The Texas Tribune is Sewell Chan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to "Inside the Uvalde Response" on our website: https://www.pbs.org/wgbh/frontline/documentary/inside-the-uvalde-response/
#Documentary #Uvalde #Police
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS.
Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Bill and Cile Hicks and
the Willett Family Foundation.
CHAPTERS:
00:00 - Prologue
01:12 - Analyzing the Uvalde School Shooting Law Enforcement Response
06:13 - In Investigative Interviews, Police Recall Entering Robb Elementary
19:37 - A Teacher’s 911 Call: ‘Robb Elementary Has an Active Shooter’
26:32 - Police Officers Responding to Uvalde Shooting: ‘There’s Kids in There’
35:32 - A Robb Elementary Student Calls 911 37 Minutes Into Crisis: ‘Send Help’
46:27 - Responding Police Officers Reflect on the Uvalde School Shooting
52:00 - Credits
,1,Accounts from law enforcement officers in a new FRONTLINE/The Texas Tribune/ProPublica documentary show that Robb Elementary students stayed quiet and hidden on May 24, 2022 as they were trained to do – and, because of that, 'officers thought they weren't there' and took longer to help, reporter Lomi Kriel says in an excerpt from 'Inside the Uvalde Response.'
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"Inside the Uvalde Response" premieres in full Tues., Dec. 5 at 7 pm ET at pbs.org/frontline and in the PBS Video App, and at 10/9c that night on PBS and FRONTLINE’s YouTube channel.
Featuring never-before-published interviews conducted by state and federal investigators in the days immediately after the shooting, the documentary and related reporting identify critical missteps as the response unfolded; explore the candid fears, regrets and anguish expressed by officers; and underline the complexity, confusion and tragedy of the day.
Explore additional reporting related to "Inside the Uvalde Response" on our website: https://www.pbs.org/wgbh/frontline/documentary/inside-the-uvalde-response/
"Inside the Uvalde Response" is a FRONTLINE production with The Documentary Group in association with ProPublica and The Texas Tribune. The director is Juanita Ceballos. The producers are Juanita Cellabos and Michelle Mizner. The co-producer is Lauren Prestileo. The writer is Juanita Ceballos. The senior producers are Nina Chaudry and Gabrielle Tenenbaum. The reporters are Lomi Kriel and Lexi Churchill (ProPublica/The Texas Tribune) and Jinitzail Hernandez (The Texas Tribune), with editing by Zahira Torres of ProPublica and The Texas Tribune. The editor-in-chief of ProPublica is Stephen Engelberg. The editor-in-chief of The Texas Tribune is Sewell Chan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#DocumentaryExcerpt #Uvalde #Police
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Bill and Cile Hicks and
the Willett Family Foundation.
,1,FRONTLINE and ProPublica investigated how secret electronic surveillance missed catching the plotters behind the deadly 2008 siege in Mumbai and how American-born David Coleman Headley, a former DEA informant, played a key role in the plot. (Aired 2015)
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When Edward Snowden exposed the U.S. National Security Agency’s secret mass surveillance programs, defenders of the NSA said the spying was necessary, and they produced an example: David Coleman Headley, an American recruited by Pakistani terrorists to help plan the 2008 Mumbai attack known as “India’s 9/11.” But was Headley’s capture an intelligence success? ProPublica reporter Sebastian Rotella investigated those claims, unearthing evidence of how intelligence agencies didn’t stop the 2008 attack in which 166 people were killed. “American Terrorist” is an updated and expanded version of 2011’s “A Perfect Terrorist.”
“American Terrorist” was a FRONTLINE production with Left/Right Docs in association with 2over10 Media in partnership with ProPublica. It was written, produced and directed by Thomas Jennings. The correspondent was Sebastian Rotella. The co-producers were Anna Belle Peevey and Sabrina Shankman. The reporters were Sebastian Rotella, Jeff Larson, Thomas Jennings, and Anna Belle Peevey. The senior producer was Frank Koughan. The deputy executive producer of FRONTLINE was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting related to "American Terrorist" on our website: https://www.pbs.org/wgbh/frontline/documentary/american-terrorist/
#Documentary #Terrorism #NSA #Mumbai
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 – Prologue
1:16 - David Coleman Headley: Reconnaissance for Al Qaeda in Copenhagen, Denmark
12:17 - David Coleman Headley: From Drug Smuggler to Informant
21:43 - David Coleman Headley’s Path to Terrorism
33:34 - David Coleman Headley Helps Plan 2008 Mumbai Attack
44:44 - The Plotting of the 2008 Mumbai Terror Attack
53:32 - Attackers Target Mumbai in 2008 and Kill 166 People
01:03:20 - Did Mass Surveillance Programs Stop American Terrorist David Coleman Headley?
1:21:57 - Credits
,1,As Mariupol came under Russian attack, Ukrainian AP video journalist Mstyslav Chernov and his colleagues risked their lives to show the world the truth of the war — including the bombing of a maternity hospital. Watch an excerpt from "20 Days in Mariupol," Chernov’s documentary with FRONTLINE and AP.
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The award-winning documentary “20 Days in Mariupol” follows Chernov as he and his Ukrainian AP colleagues become trapped in the besieged city of Mariupol, struggling to continue their work documenting atrocities of the Russian invasion. The last international journalists remaining in the city as Russian forces close in, Chernov, photographer Evgeniy Maloletka and field producer Vasilisa Stepanenko captured what become some of the most defining images of the war: dying children, mass graves — and the maternity hospital bombing.
Watch the full documentary on PBS and online Tues., Nov. 21: https://to.pbs.org/3sRHEsm
"20 Days in Mariupol" is a FRONTLINE production with The Associated Press. The director, cinematographer and writer is Mstyslav Chernov. The field producer is Vasilisa Stepanenko. The still photographer is Evgeniy Maloletka. The editor is Michelle Mizner. The composer is Jordan Dykstra. The producers are Mstyslav Chernov, Michelle Mizner, Raney Aronson-Rath (FRONTLINE’s editor-in-chief and executive producer) and Derl McCrudden (AP’s vice president of news and head of global news production). "20 Days in Mariupol" is distributed domestically by PBS Distribution and internationally by Dogwoof.
,1,FRONTLINE traveled to the epicenter of the Ebola crisis to see firsthand how the outbreak had spiraled out of control — meeting families devastated by the deadly virus, and health workers trying to stop its spread. (Aired 2014)
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“Ebola Outbreak” offered a remarkable look at the early months of the worst Ebola outbreak on record, one in which local hospitals in Sierra Leone were overwhelmed and barely functioning because so many doctors and nurses had died.
The documentary — a collaboration with the Channel 4 foreign affairs series Unreported World — went inside an emergency field hospital run by Doctors Without Borders, where the morgue was overflowing, and those who were sick kept arriving. FRONTLINE also followed an investigator from Sierra Leone’s Ebola surveillance unit who, despite the risks, traveled to villages looking for people who were infected, trying to identify and isolate everyone they might have come into contact with.
“Ebola Outbreak” was a Quicksilver Media production for WGBH/FRONTLINE in collaboration with Channel 4’s Unreported World series. The director and producer was Wael Dabbous. The reporter was Shaunagh Connaire. The senior producer was Dan Edge. The executive producer for Quicksilver was Eamonn Matthews. The deputy executive producer of FRONTLINE was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting related to "Ebola Outbreak" on our website: https://www.pbs.org/wgbh/frontline/documentary/ebola-outbreak/
#Documentary #Ebola #EbolaOutbreak
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 – Inside an Ebola Outbreak Spiraling Out of Control in 2014
3:28 - Health Workers in Sierra Leone Try to Stem Ebola’s Spread in 2014
8:49 – A Doctors Without Borders Field Hospital Treats Ebola Patients
18:17 – The Race to Find and Treat People Infected With Ebola
19:37 – Panic and Unrest as Ebola Spreads in Sierra Leone in 2014
20:44 – A Mother and Father Battle Ebola
24:36 – In Sierra Leone, Burying and Remembering Those Who Died of Ebola
26:26 – Credits
,1,Victims call him the Butcher of Bosnia. Defenders say he protected the Serbs. FRONTLINE chronicles the trial of Ratko Mladić and tells an epic story of justice, accountability and a country at odds over its bloody past. (Aired 2019)
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In the aftermath of the brutal wars that decimated Yugoslavia in the early 1990s, former Bosnian Serb General Ratko Mladić was accused of genocide and other war crimes — including the massacre of more than 7,000 Muslim men and boys in the town of Srebrenica in July 1995.
In “The Trial of Ratko Mladić,” FRONTLINE producers gained exclusive access to the prosecution and defense teams during Mladić’s trial before the UN’s International Criminal Tribunal for the former Yugoslavia.
The documentary also features interviews with Mladić’s supporters and family members in Bosnia and offers harrowing accounts from some of his victims.
“The Trial of Ratko Mladić” provides haunting insights into a convicted war criminal’s motives, and the genocide he commanded his troops to carry out — as well as an intimate look at the victims left behind, who remain haunted by what their families endured.
Explore additional reporting related to "The Trial of Ratko Mladić" on our website:
https://www.pbs.org/wgbh/frontline/documentary/the-trial-of-ratko-mladic/
The Trial of Ratko Mladic was a Sandpaper Films production for WGBH/FRONTLINE in association with BBC, WDR, and VPRO. The co-directors were Henry Singer and Rob Miller. The co-producers were Henry Singer, Rob Miller and Ida Ven Bruusgaard. The executive producer of FRONTLINE was Raney Aronson-Rath.
#Documentary #Srebrenica #Bosnia #Sarajevo
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Additional funding for “The Trial of Ratko Mladic” was provided by the Sigrid Rausing Trust, the Blavatnik Family Foundation, the Doc Society – The Bertha Doc Journalism Fund, the Fritt Ord Foundation, the Norwegian Film Institute, and the Sundance Institute.
CHAPTERS:
Prologue - 00:00
01:12 - Bosnian Serb General Ratko Mladić Faces Charges of Genocide, War Crimes
03:49 - Brutal Wars Across the Former Yugoslavia in the 1990s
06:32 - The First Witness in Ratko Mladić’s Trial Recounts His Muslim Town, Attacked
14:05 - Ethnic Tensions Explode in the Former Yugoslavia
16:48 - Ratko Mladić’s Defense Team
19:09 - Victims Meet with the Mladić Prosecution Team
20:52 - Prosecuting the Srebrenica Genocide & Murder of Over 7,000 Muslim Men and Boys
31:36 - A Srebrenica Mother Testifies: ‘I Lost Two Sons, I Lost My Husband’
38:42 - Searching for the Missing – and Discovering a Mass Grave at Tomasica in Bosnia
46:03 - Examining Bosnian Serb Forces’ Command & Control Structure
54:50 – A Former Driver of Ratko Mladić Testifies
1:01:20 – Ratko Mladić’s Family in Kalinovik, Bosnia
1:05:34 – Tribunal President Pays Respects at a Mass Grave in Tomasica, Bosnia
1:09:23 – International Criminal Tribunal for the Former Yugoslavia Marks 20th Anniversary
1:12:43 – Ratko Mladić’s Defense Team Looks for Witnesses
1:17:59 – Serbs Faced Persecution in Nazi-Occupied Yugoslavia During World War II
1:21:11 – A New Member Joins the Mladić Prosecution Team
1:23:42 – Lingering Impact of July 1992 Massacres in Prijedor
1:27:43 - A Mass Grave in Tomasica, Bosnia: The Evidence
1:32:12– An Eyewitness for Ratko Mladić’s Defense
1:39:24 – A Ceremony for Victims Found in Mass Grave in Bosnia
1:42:39 – The Ratko Mladić Verdict at the Hague in 2017
1:51:59 - Credits
,1,Amid a Republican leadership shakeup in the House & questions about the future of Mitch McConnell (R-KY) in the Senate, FRONTLINE investigates the life & legacy of one of the most powerful Republican leaders in Senate history.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
“McConnell, the GOP & the Court” shows the path to power of an unlikely political leader who has dramatically reshaped the Supreme Court — and whose consequential decisions helped usher in an era of deep polarization in both the U.S. and the Republican party.
“McConnell, the GOP & the Court” tells the dramatic, decades-long story of McConnell’s rise to power, and the costs of attaining and keeping it. That story is told through a powerful video archive and incisive interviews that delve into McConnell’s defining early struggle against childhood polio, his political method, and the roots of his quest for power. Through interviews with close advisors and associates, critics, biographers and journalists, the film goes on to trace McConnell’s political journey from his days as a supporter of the civil rights movement through his shift rightward in the Reagan era, to his reluctant embrace of Donald Trump and then his anger at the president on January 6th, 2021, to questions about how long he will continue to lead Senate Republicans.
As McConnell faces political and physical challenges to his long hold on power, “McConnell, the GOP & the Court” offers an illuminating look at the long-serving leader and how his shrewd choices have reshaped the Supreme Court and U.S. politics.
Explore additional reporting on "McConnell, the GOP & the Court" on our website:
https://www.pbs.org/wgbh/frontline/documentary/mcconnell-the-gop-the-court/
“McConnell, the GOP & the Court” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporter is Vanessa Fica. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#documentary #republicanparty #mitchmcconnell #gop #politics
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Funding for “McConnell, the GOP & the Court” is provided by the Jonathan Logan Family Foundation.
CHAPTERS:
Prologue - 00:00
Sen. Mitch McConnell Faces Health Challenges in 2023 - 0:34
Mitch McConnell’s Childhood Battle With Polio -3:15
A Young Mitch McConnell Finds His Calling in Politics - 5:42
A Young Mitch McConnell’s Support of the Civil Rights Movement - 8:58
Mitch McConnell’s Political Career Begins - 11:45
Mitch McConnell and Roger Ailes’ Early Alliance - 14:09
Mitch McConnell Shifts Rightward During Reagan’s Presidency -16:43
Mitch McConnell Vows Revenge After Robert Bork’s Failed Supreme Court Nomination - 19:11
Mitch McConnell Plays Key Role in Reshaping U.S. Supreme Court - 21:21
Mitch McConnell and Donald Trump’s ‘Transactional’ Relationship - 28:50
McConnell, Trump and the 2017 Charlottesville White Supremacist Rally - 30:40
With Trump’s Support, McConnell Fills Federal Judiciary With Conservative Judges - 35:06
The Impact of Mitch McConnell’s Alliance With Donald Trump - 40:05
McConnell, Longest-Serving Leader in Senate History, Faces Health Challenges - 50:11
Credits - 51:54
,1,Through his actions in 2016, “Mitch McConnell brought about the election of someone who, in almost every particular, he deplored,” conservative columnist George Will says in this excerpt from the new FRONTLINE documentary "McConnell, the GOP & the Court."
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
Among those actions: Blocking any Senate consideration of then-President Obama’s Supreme Court nominee after Justice Antonin Scalia died months before the 2016 presidential election -- and later placing his support behind Trump, framing Scalia's Supreme Court seat as a central issue, as this excerpt explores.
“There was a lot of skepticism on the right of what Donald Trump was, and holding that Supreme Court seat open just as a political matter reminded Republicans, we can’t leave to chance that Hillary Clinton might put a liberal on the court,” Scott Jennings, a McConnell political adviser, says in the excerpt.
“McConnell, the GOP & the Court” traces the path to power of an unlikely political leader who has dramatically reshaped the Supreme Court — and whose decisions helped usher in an era of deep polarization in both the U.S. and the Republican party.
"McConnell, the GOP & the Court" premieres Tues., Oct. 31 on PBS and on YouTube: https://www.pbs.org/wgbh/frontline/documentary/mcconnell-the-gop-the-court/
“McConnell, the GOP & the Court” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporter is Vanessa Fica. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#DocumentaryExcerpt #RepublicanParty #MitchMcConnell #GOP #Politics
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Funding for “McConnell, the GOP & the Court” is provided by the Jonathan Logan Family Foundation.
,1,As ISIS was pushed out of areas of Iraq, FRONTLINE correspondent Ramita Navai made a dangerous and revealing journey to investigate allegations of abuse of Sunni Muslim civilians by powerful Shia militias. (Aired 2017)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
The Shia militias were a crucial part of Iraq’s fight against ISIS and were supposed to answer to the country’s prime minister. But “Iraq Uncovered” investigated how some of the groups were accused of kidnapping, torturing and even killing Sunni civilian men and boys, whom the militias often saw as ISIS suspects.
Navai traveled to areas of the country where few journalists went, talking to Sunnis who said their relatives were abducted and abused at the hands of the militias. She found a makeshift militia prison crammed with men the militia admitted had been held there for months without any charges. Navai found that people in refugee camps were “as scared of the militias as they are of ISIS,” and she spoke to leading Sunni and Shia politicians as well as militia members themselves.
Explore additional reporting related to "Iraq Uncovered" on our website:
https://www.pbs.org/wgbh/frontline/documentary/iraq-uncovered/
“Iraq Uncovered” was a Quicksilver Media production for WGBH/FRONTLINE in association with Channel 4. The correspondent was Ramita Navai. The director was Patrick Wells. The producers were Mais Al-Bayaa, Ramita Navai and Patrick Wells. The senior producer was Dan Edge. The executive producer for Quicksilver Media was Eamonn Matthews. The executive producer for FRONTLINE was Raney Aronson-Rath.
#Documentary #Iraq #ShiaMilitias
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
The Shia Militias Fighting ISIS - 0:58
Disappearances of Sunni Men and Boys From Iraqi Towns - 10:29
Shia Militias Accused of Abusing Sunni Civilians - 22:29
The Secret Prisons Run by Shia Militias - 33:31
Preventing the Next War in Iraq - 43:53
Credits - 51:59
,1,Are you heading to the polls this fall for the first time – and worried about whether your vote will count? Here’s a brief history of voting rights in America, and the impact voter disenfranchisement has had on Black voters in particular.
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Reporter Alexis Johnson takes you on a graphical visual journey through the history of voting for Black Americans: “What if I told you that the concerns we’re seeing over whose vote counts today, are just the latest chapter in a tale as old as America itself?” she asks. This FRONTLINE Short Doc goes inside the fight over the right to vote, explores how the roots of voter suppression trace back to post-Civil War America, and examines what’s happening now.
#frontline #shortdocumentary #votingrights
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FRONTLINE Short Docs is generously funded by the Corporation for Public Broadcasting, and Laura DeBonis and Scott Nathan.
,1,Revisit FRONTLINE’s seminal documentary on how the Israeli-Palestinian peace process begun at Oslo was derailed and ultimately undone by the dynamics of politics and violence on both sides. (Aired 2002)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
"Shattered Dreams of Peace: The Road From Oslo" includes interviews with key figures from both sides of the negotiating table including Benjamin Netanyahu, Yasser Arafat, Shimon Peres, Saeb Erekat and Ehud Barak.
The documentary traced how the cautious optimism in the aftermath of Arafat and then-Israeli Prime Minister Yitzhak Rabin signing the 1993 Oslo Accord was undermined in the following years by violence and major setbacks. It explored the growing threat to the peace process posed by radical nationalist factions among both Jews and Palestinians — groups, including Hamas, that opposed all compromise between the two peoples. The documentary also examined the U.S. role in the peace process, including the U.S.-brokered negotiations at Wye River in 1998, Camp David in 2000, and in Taba, Egypt, in 2001.
Watch a special presentation of “Shattered Dreams of Peace” Tues., Nov. 7, 2023, at 10/9c on PBS stations.
“Shattered Dreams of Peace: The Road From Oslo” was produced and directed by Dan Setton and Tor Ben Mayor. The WGBH executive producer was Zvi Dor-Ner. FRONTLINE’s executive producer was David Fanning.
Explore additional reporting related to "Shattered Dreams of Peace: The Road From Oslo" on our https://www.pbs.org/wgbh/frontline/documentary/shattered-dreams-of-peace/
#Documentary #MiddleEastPeaceProcess #israel #gaza #war
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Yitzhak Rabin and Yasser Arafat Sign Oslo Accords in 1993 - 1:19
Hamas Opposes Compromise With Israel, Launches Attacks in 1996 - 11:20
In 1996, Hezbollah Fires Missiles at Israel; Israel Launches Bombardment and Mistakenly Hits UN Compound - 18:40
Benjamin Netanyahu’s 1996 Decision to Open Tunnel Along Western Wall Triggers Violent Protests - 25:42
Yasser Arafat and Benjamin Netanyahu Attend 1996 Washington Summit - 34:56
In 1997, Settlements and Bombings by Hamas - 41:20
A Failed Mossad Attempt to Eliminate a Hamas Officer - 42:26
Palestinians and Some Israelis Protest Netanyahu’s Settlement Policies in 1997 - 45:26
Netanyahu and Arafat Attend 1998 Summit in the U.S.: The Wye Agreement - 47:28
Clinton Visits Gaza in 1998 & Palestinian National Council Rescinds Clause Calling for Destruction of Israel - 57:13
In 1999, Ehud Barak and Yasser Arafat Sign the Sharm El-Sheikh Memorandum Setting Out Framework and Timetable for Peace Agreement - 1:01:08
Land & Settlements Become Main Issues In 1999 Israeli-Palestinian Negotiations - 1:13:21
Israel Moves to End 22-Year Occupation of Lebanon in 2000 - 1:17:51
Camp David Summit in 2000 With Bill Clinton, Yasser Arafat and Ehud Barak - 1:21:20
Secret Meetings Between Israeli-Palestinian Negotiators Continue in 2000 - 1:35:03
Ariel Sharon’s Visit to Al Aqsa Mosque Triggers Uprising; Violence Spirals - 1:38:18
In 2002, A Renewed Cycle of Violence and a Shattered Peace Process - 1:50:08
Credits - 1:52:43
,1,An investigation of allegations that the New Orleans Police Department inappropriately used lethal force against New Orleans citizens in the aftermath of Hurricane Katrina and then tried to cover up their actions. (Aired 2011)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
Henry Glover was last seen alive in the backseat of a white Chevy Malibu on Sept. 2, 2005, just days after Hurricane Katrina hit. His charred remains would later be discovered on the banks of the Mississippi River, inside a car that had apparently been set on fire. FRONTLINE, in partnership with ProPublica and The Times-Picayune, dug into Glover’s death and a number of incidents in which police shot civilians in New Orleans in the chaotic aftermath of Hurricane Katrina. The investigation revealed that, in the midst of post-Katrina chaos, law-enforcement commanders issued orders to ignore long-established rules governing use of deadly force.
Explore additional reporting related to "Law & Disorder" on our website:
https://www.pbs.org/wgbh/frontline/documentary/law-disorder/
#Documentary #HurricaneKatrina #NewOrleans
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
A Burned Body in Hurricane Katrina’s Aftermath - 01:49
Chaos and Confusion Post-Hurricane Katrina - 11:32
Questionable Police Shootings in Hurricane Katrina’s Wake - 20:33
Who Shot Henry Glover? - 25:09
New Orleans Police Department’s History of Scandal - 40:20
Indictments in Henry Glover's Death - 49:11
Credits - 53:09
,1,She escaped the deadliest and most destructive fire in California’s history – but not all of her family would make it out. This is 21-year-old Jordan Huff’s story of loss, love and survival in the face of a record-breaking wildfire.
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On November 8, 2018, the deadliest and most destructive fire in California history began. By the time it finally would be extinguished, the fast-moving Camp Fire had burned an area the size of Chicago, caused more than 50,000 people to flee their homes and killed at least 85 people.
In this FRONTLINE Short Doc, watch as Jordan Huff shares her firsthand account of fleeing the flames – “We were all about to burn alive,” she says – and learn how scientists say climate change is making wildfires more frequent and intense.
#frontline #shortdocumentary #campfire
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FRONTLINE Short Docs is generously funded by the Corporation for Public Broadcasting, and Laura DeBonis and Scott Nathan.
,1,Small documentaries. Big stories. Told boldly with zero misinformation. Here's a sneak peek of a new series we are launching this fall–FRONTLINE Short Docs.
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These pocket-sized documentaries feature the personal stories and experiences of young adults, about the critical issues shaping our world today.
#frontline #shortdocs #documentary
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FRONTLINE Short Docs is generously funded by the Corporation for Public Broadcasting, and Laura DeBonis and Scott Nathan.
,1,The inside story of the Houston Astros cheating scandal, the fallout and what it says about baseball today.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
This 90-minute FRONTLINE documentary investigates one of the most explosive scandals in modern baseball: a sign-stealing scheme that would taint the Houston Astros’ 2017 World Series win — the club’s first-ever — and reverberate across the sports world.
Gripping and revealing, the documentary features new and exclusive interviews with former MLB insiders — including a former Astros video manager who speaks out for the first time about the inner workings of the now-infamous sign-stealing scheme, and the most expansive on-camera interview yet with former Astros general manager Jeff Luhnow, who continues to deny awareness of the cheating.
“The Astros Edge” is narrated by producer and reporter Ben Reiter, who has covered the team extensively for Sports Illustrated, in the book “Astroball,” and in the podcast, “The Edge: Houston Astros.” In the documentary, Reiter goes inside the Astros’ journey from the worst team in baseball to the most dominant club of the era, chronicling how their innovative and hypercompetitive approach — data-driven and drawn from Wall Street and Silicon Valley — took shape and changed the game. Then, Reiter probes that approach’s shadow side, piecing together how a “win-at-all-costs” culture inside the Astros helped lead to the cheating scheme.
The documentary also examines MLB Commissioner Rob Manfred’s own investigation into the scandal, which offered immunity to Astros players and resulted in few consequences for those who primarily carried out the cheating.
Explore additional reporting related to "The Astros Edge" on our website:
https://www.pbs.org/wgbh/frontline/documentary/the-astros-edge/
“The Astros Edge: Triumph and Scandal in Major League Baseball” is a FRONTLINE Production with Left/Right Docs. The director, producer and writer is Jonathan Clasberry. The producer is Quinton Boudwin. The producer and correspondent is Ben Reiter. The senior producer is Frank Koughan. The executive producers for Left/Right Docs are Ken Druckerman and Banks Tarver. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #HoustonAstros #Baseball #MLB #MajorLeagueBaseball #BaseballDocumentary #Sports #SportsDocumentary
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,FRONTLINE examines the Houston Astros cheating scandal and what it says about baseball today. Streaming Tuesday, Oct. 3 at 10/9c.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
With reporter Ben Reiter, the documentary traces the making of one of the best teams and worst scandals in modern Major League Baseball history, the limited accountability and how the Astros’ approach to baseball changed the sport.
#Trailer #Astros
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen, and Corey David Sauer.
,1,The harrowing, vivid story of four Iraqi soldiers’ fight against ISIS. (Aired 2017)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
In “Mosul,” FRONTLINE presented an extraordinary look at the brutal battle to drive ISIS out of Iraq’s second-largest city, which some military commanders described at the time as the deadliest urban combat since World War II.
The people of Mosul had endured the repressive rule of ISIS for more than two years. This is the story of the men who fought back — and defeated the self-proclaimed Islamic State in their stronghold. Filmed on the ground by director Olivier Sarbil over the course of the nine-month battle, “Mosul” offers a stunning look at the high cost of the Iraqi Army’s liberation of Mosul from ISIS in July 2017.
Explore additional reporting related to "Mosul" on our website:
https://www.pbs.org/wgbh/frontline/documentary/mosul/
“Mosul” was a FRONTLINE Production with Mongoose Pictures in association with Channel 4. The producers were James Jones and Dan Edge. The writers were James Jones and Dan Edge. The director was Olivier Sarbil. The co-director was James Jones. The executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #Mosul #Iraq
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Iraqi Soldiers on the Front Line Against ISIS in Mosul - 2:28
A Deadly Fight Against ISIS, Among Civilians and Bombs - 14:27
The Heavy Toll and Memories From the Battle of Mosul - 32:15
Credits - 37:56
,1,How President Barack Obama and his administration navigated the conflict in Syria and the battle against ISIS. (Aired 2015)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
In “Obama at War,” Martin Smith and Linda Hirsch investigated the Obama administration’s complicated struggle to deal with the deadly Syrian conflict and explored how the rise of ISIS raised the stakes. Drawing on interviews with key American military and diplomatic leaders as well as members of the Syrian opposition, this 2015 documentary offered an incisive look at President Obama’s choices involving Syria and the consequences.
Tracing Obama’s Syria policy from the Arab Spring in 2011 onward, “Obama at War” examined the heated debates within the Obama administration about when, if and how to get involved in Syria against President Bashar al-Assad’s regime. The documentary revealed an administration struggling to identify reliable partners on the ground, mindful of the American public’s war-weariness, and divided over whether to provide military aid to moderate rebels. The documentary also explored how a spiraling humanitarian catastrophe under Assad allowed ISIS to flourish.
Explore additional reporting related to "Obama at War" on our website:
https://www.pbs.org/wgbh/frontline/documentary/obama-at-war/
“Obama at War” was a FRONTLINE production with Rain Media. The writer, producer and correspondent was Martin Smith. The co-producer was Linda Hirsch. The deputy executive producer of FRONTLINE was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
#Documentary #BarackObama #Syria
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
No ‘Easy Options’: The Obama Administration and the War in Syria - 1:04
Assad, Chemical Weapons and Obama's ‘Red Line’ in Syria - 19:05
The Rise of ISIS in Iraq and Syria - 36:41
Credits - 51:56
,1,FRONTLINE tells the story of journalist and Nobel Peace Prize laureate Dmitry Muratov and his battle to defend press freedom in Putin’s Russia.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
Since Russia's full-scale invasion of Ukraine, President Vladimir Putin and his government have carried out an intense crackdown on the press — banning more than 300 Russian journalists, labeling them “foreign agents,” and threatening anyone who calls the Ukraine conflict an invasion or act of war with up to 15 years in prison.
The Russian government branded Muratov, one of a dwindling number of independent journalists still in Russia, a “foreign agent” in early September 2023. With unique access, this timely documentary follows Muratov as he fights to keep his independent newspaper, Novaya Gazeta, alive and his reporters safe amid the government’s tightening grip on independent reporting.
“Putin vs. the Press” is an Oxford Films Production for GBH/FRONTLINE and Channel 4. The director is Patrick Forbes. The producers are Yelena Durden-Smith and Vanessa Tuson. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to "Putin vs. the Press" on our website:
https://www.pbs.org/wgbh/frontline/documentary/putin-vs-the-press/
#Documentary #Putin #Russia #PressFreedom
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen, and Corey David Sauer.
CHAPTERS:
Nobel Peace Prize Laureate Dmitry Muratov on Democracy and War - 0:00
How Muratov’s Novaya Gazeta Covered Russia’s Full-Scale Invasion of Ukraine - 4:36
Protecting Novaya Gazeta’s Journalists - 16:02
Novaya Gazeta’s Future & Auctioning the Nobel Peace Prize - 28:08
A Crackdown on Russian Independent News Intensifies - 39:48
A Journalist Attacked in Chechnya - 47:16
,1,In September, the Russian government labeled Nobel prize-winning Russian journalist Dmitry Muratov a "foreign agent." As this excerpt from the documentary "Putin vs. the Press" shows, Muratov had in the past publicly confronted Putin about his crackdown on the press.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
Stream “Putin vs. the Press” in full starting Tues., Sept. 12, at 7/6c. The documentary tells the story of one journalist’s battle to defend free speech in Putin’s Russia. With unique access, the film follows Nobel Peace Prize-winner Dmitry Muratov as he fights to keep his newspaper alive and his reporters safe amid a government crackdown.
As this excerpt shows, less than two years before he was branded a “foreign agent” himself, Muratov confronted Putin publicly about the Kremlin’s treatment of independent media and the government’s process for labeling journalists “foreign agents.”
Explore additional reporting related to "Putin vs. the Press" on our website:
https://www.pbs.org/wgbh/frontline/documentary/putin-vs-the-press/
“Putin vs. the Press” is an Oxford Films Production for GBH/FRONTLINE and Channel 4. The director is Patrick Forbes. The producers are Yelena Durden-Smith and Vanessa Tuson. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#DocumentaryExcerpt #VladimirPutin #Russia #PressFreedom #DmitryMuratov
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen, and Corey David Sauer.
,1,FRONTLINE tells the story of journalist and Nobel Peace Prize laureate Dmitry Muratov and his battle to defend press freedom in Putin’s Russia.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
“Putin vs. the Press” is an Oxford Films Production for GBH/FRONTLINE and Channel 4. The director is Patrick Forbes. The producers are Yelena Durden-Smith and Vanessa Tuson. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore additional reporting related to "Putin vs. the Press" on our website:
https://www.pbs.org/wgbh/frontline/documentary/putin-vs-the-press/
#Documentary #Putin #Russia #PressFreedom
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,The theatrical version of “Two Strikes,” a film produced as part of FRONTLINE’s fellowship with Firelight Media, tells the story of how Mark Jones, a former West Point cadet struggling with PTSD and alcoholism got life in prison in Florida after an attempted carjacking.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
Through the lens of Jones’ case, the documentary explores how statutes like Florida’s so-called “two-strikes” law, more formally called the Prison Releasee Reoffender law, can result in people getting mandatory maximum sentences, including life in prison, for crimes in which no one is injured. While Florida’s statute is among the strictest, many states have laws that increase prison time for repeat offenses.
“Two Strikes” is a FRONTLINE Production with Noncompliant Films in association with Firelight Media & The Marshall Project. The director and producer is Ursula Liang. The producer is Tessa Travis. The co-producer & reporter is Cary Aspinwall of The Marshall Project.
Explore additional reporting related to "Two Strikes" on our website:
https://www.pbs.org/wgbh/frontline/documentary/two-strikes/
#Documentary #Prison #CriminalJustice #Florida
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Major support for FRONTLINE and for “Two Strikes” and “Tutwiler” is from the Corporation for Public Broadcasting. Additional support for “Tutwiler” is from the Lisa & Douglas Goldman Fund.
,1,Mark Jones’ story in Florida illustrates how sentencing laws can put people who didn’t physically hurt anyone in prison for life. Watch an excerpt from the new documentary ‘Two Strikes,’ from FRONTLINE, The Marshall Project and Firelight Media.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
Airing in a special two-part hour that goes inside America's criminal justice system, “Two Strikes” will be available to watch in full at pbs.org/frontline, on The Marshall Project's website, and in the PBS App starting Sept. 5, 2023, at 7/6c. "Two Strikes" will be available to watch at 10/9c on PBS stations and on YouTube. FRONTLINE's Sept. 5 hour will also include "Tutwiler," a look at the complexities of pregnancy in prison.
Learn more: https://www.pbs.org/wgbh/frontline/documentary/two-strikes/
"Two Strikes" is a FRONTLINE Production with Noncompliant Films in association with Firelight Media & The Marshall Project. The director and producer is Ursula Liang. The producer is Tessa Travis. The co-producer & reporter is Cary Aspinwall of The Marshall Project. Edited by Eugene Yi. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#documentaryexcerpt #prison #criminaljustice #sentencing #florida
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,A sequel to the award-winning 2016 documentary “Exodus,” this film tells the intimate stories of refugees and migrants fleeing poverty and violence and facing heightened nationalism and anti-immigrant sentiment. (Aired 2018)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
As far-right nationalism was on the rise, this two-hour documentary offered an unforgettable window into the human stories of refugees and migrants caught in Europe’s tightened borders.
“When we were back home, we’d talk about how peaceful and wonderful it would be in Europe, and that we’d live happily ever after,” said a young man named Azizzulah, who fled Afghanistan after his brother, who worked as a translator for the U.S. Army, was killed in a bombing. “But had I known that the way would be so difficult, I would have never come.”
As the wave of global migration and refugees continued and countries became less welcoming, “Exodus: The Journey Continues” provided an eye-opening look at the evolving situation, drawing on footage filmed by the refugees themselves. The documentary also followed several people featured in the 2016 “Exodus” documentary — including Sadiq, a young man from Afghanistan who was seeking asylum in Finland, and Isra’a, a young girl who fled Syria with her family and was let into Germany before Europe’s borders began to tighten.
Explore additional reporting related to "Exodus: The Journey Continues" on our website:
https://www.pbs.org/wgbh/frontline/documentary/exodus-the-journey-continues/
“Exodus: The Journey Continues” was a Keo Films production for WGBH/FRONTLINE and BBC. The director was James Bluemel. The senior producer was Dan Edge. The executive producers for Keo Films were Will Anderson and Andrew Palmer. The executive producer of FRONTLINE was Raney Aronson-Rath.
#Documentary #Refugees #MigrationCrisis
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
From Afghanistan to Serbia - 1:04
An Afghan Family Stranded in Greece - 13:03
A Syrian Family Adjusts to Life in Germany - 21:10
Refugees and Migrants Stuck at the Serbia-Hungary Border - 33:00
An Afghan Mother Tries to Reach Germany - 38:08
An Iraqi Family in Limbo Due to U.S. Refugee Policies - 44:26
Life in a Refugee Camp in Greece - 56:10
An Afghan Who Fled Danger in His Home Country Seeks Asylum in Finland - 59:53
A Migrant from Guinea Attempts to Reach Spain - 1:12:13
Refugees Face Rising Anti-Immigrant Sentiment - 1:21:39
Anti-Refugee Sentiment Rises in Finland - 1:40:31
‘Send Them Home’: Right-Wing Nationalist Parties Ascend in Europe- 1:44:34
Credits - 1:51:56
,1,FRONTLINE investigated how a growing number of young children were being prescribed powerful antipsychotic medications that had serious side effects and unknown long-term impacts at the time. (Aired 2008)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
As the debate over medicating children continued to grow in the late 2000s, FRONTLINE spoke to parents, children, psychiatrists and researchers about the risks and benefits of prescribing powerful medications to children dealing with mental health issues.
“The Medicated Child” was a FRONTLINE Co-production with RAINmedia, Inc. and was written, produced and directed by Marcela Gaviria. Will Cohen was co-producer. Daisy Wright was editor. Martin Smith was senior producer. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting on "The Medicated Child" on our website:
https://www.pbs.org/wgbh/frontline/documentary/medicatedchild/
#Documentary #MentalHealth #BipolarDisorder #ADHD
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
A Rise in Bipolar Disorder Diagnoses in Young Children - 1:15
Prescribing Antipsychotic Medication to Children & Side Effects - 9:06
Antidepressants & Antipsychotics for Children - 15:21
Researching Pediatric Bipolar Disorder & a Cottage Industry of Diagnostic Centers - 37:35
The Children Taking Medication for Mental Illness - 48:22
Credits - 52:48
,1,As credit card companies faced rising public anger and new regulations from Washington in 2009, FRONTLINE examined the industry’s impact on a fragile national economy. (Aired 2009)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
In “The Card Game,” a collaboration with The New York Times, correspondent Lowell Bergman talked to industry insiders, lobbyists, politicians and consumer advocates as they debated new regulation designed to curtail the most abusive practices of credit card companies and the possible creation of a consumer finance protection agency.
“The Card Game” was a FRONTLINE co-production with Cam Bay Productions and The New York Times. Lowell Bergman and Oriana Zill de Granados wrote and produced the documentary. The correspondent was Lowell Bergman. Stephanie Challberg was the editor. Raney Aronson-Rath was senior producer. David Fanning was executive producer.
Explore additional reporting on "The Card Game" on our website:
https://www.pbs.org/wgbh/frontline/documentary/creditcards/
#Documentary #CreditCard #Debt #Banks
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,A powerful and intimate look at the realities of aging in America and the burgeoning population of people who are 85+ years old. (Aired 2006)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
When the documentary “Living Old” was released, people over 85 were the fastest growing segment of the U.S. population. While medical advances enabled an unprecedented number of Americans to live longer and healthier lives, the documentary examined how this new longevity also had unintended consequences.
For millions of Americans, living longer also came to mean serious chronic illness and a protracted physical decline that could require an immense amount of care, often for years and sometimes even decades. Yet as the need for care started rising, the number of available caregivers dwindled. With families more dispersed and an overburdened healthcare system, many experts feared the country was on the threshold of a major crisis in care.
“Living Old” was a FRONTLINE co-production with Mead Street Films. The documentary was written, produced and directed by Miri Navasky and Karen O’Connor. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting on "Living Old" on our website:
https://www.pbs.org/wgbh/frontline/documentary/livingold/
#Documentary #Aging #ElderCare
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Aging in America: Living Longer But With Chronic Diseases - 1:17
A Looming Crisis in Elder Care - 8:56
Nursing Homes, Independence and Family Caregivers - 17:33
Caring for Elders and Dealing With Death - 24:20
Weighing Medical Procedures and Quality of Life - 35:22
Long-term Care and End of Life Decisions - 44:45
Credits - 53:11
,1,In 2011, FRONTLINE investigated a growing trend of airlines outsourcing their heavy aircraft maintenance from in-house to independent repair facilities. (Aired 2011)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
In the 2011 documentary “Flying Cheaper,” FRONTLINE examined the outsourcing of major airline repair work to U.S.-based contractors who kept costs low by using unlicensed mechanics and to foreign-based maintenance operations, from China to El Salvador. FRONTLINE correspondent Miles O’Brien investigated reports of undertrained mechanics, foreign workers who couldn’t read English language repair manuals, inadequate FAA oversight and the use of unauthorized airline parts.
“Flying Cheaper” was a co-production with the Investigative Reporting Workshop that was produced by Rick Young and Catherine Rentz. Miles O’Brien was the correspondent. Rick Young was the writer. Leslie Atkins was the editor. Raney Aronson-Rath was series senior producer. David Fanning was executive producer.
Explore additional reporting on "Flying Cheaper" on our website:
https://www.pbs.org/wgbh/frontline/documentary/flying-cheaper/
#Documentary #AirlineSafety #AirplaneMaintenance
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Airplane Maintenance, Repairs and Safety - 01:04
An Independent Airplane Repair Facility in the U.S. - 04:51
How an Independent Airplane Repair Facility “Cleaned Up” Before an FAA Inspection - 12:43
What Happens to the Airline Industry’s Safety Margins? - 15:49
Credits - 18:01
,1,FRONTLINE and NPR followed the trail of one of the final detainees released by the Obama administration from the prison at Guantanamo Bay. (Aired 2017)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
When President Barack Obama first took office, he signed an executive order to close the controversial military prison at Guantanamo Bay, Cuba — where the U.S. has held terror suspects for years without charges. Though he didn’t succeed in closing Gitmo, a symbol of the post-9/11 “war on terror,” Obama made a final push to clear out the camp before President Donald Trump took over.
The documentary “Out of Gitmo” examines the challenges and complexities of releasing men who were once deemed “indefinite detainees” — those never charged with a crime but considered too great a risk to let go.
“Out of Gitmo” was a collaboration with NPR and WGBH News. The writer and producer was James Jacoby. The correspondent was NPR/WGBH News reporter Arun Rath. The senior producer was Frank Koughan. The senior investigations editor for NPR was Robert Little. “Out of Gitmo” was a production with Left/Right Docs. The executive producers for Left/Right Docs were Ken Druckerman and Banks Tarver. The executive producer for FRONTLINE was Raney Aronson-Rath.
Explore additional reporting on "Out of Gitmo" on our website:
https://www.pbs.org/wgbh/frontline/documentary/out-of-gitmo/
#Documentary #GuantanamoBay #Gitmo #Obama #WarOnTerror
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Examining the Push to Release Guantanamo Detainees in Obama’s Last Year - 1:41
Meeting a Former Guantanamo Detainee on Hunger Strike - 6:55
Former Guantanamo Detainee: ‘We Were Like Animals in Cages’ - 17:36
Obama’s Special Envoy for Guantanamo Closure Talks About Resettling Ex-Detainees - 27:42
The Guantanamo Bay Prison’s Future - 34:43
Credits - 38:00
,1,After the tragic Uvalde school shooting in 2022, Abel Ortiz, an art professor at Southwest Texas Junior College, asked artists from across the state to come together to use the power of art to heal. See the results of their efforts in this video.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
For more reporting on the aftermath of the Robb Elementary shooting, watch “After Uvalde: Guns, Grief & Texas Politics”: https://www.pbs.org/wgbh/frontline/documentary/after-uvalde-guns-grief-texas-politics/
“After Uvalde: Guns, Grief & Texas Politics” is a FRONTLINE production with Futuro Investigates, a division of Futuro Media. The director is Amy Bucher. The producer and co-director is Heidi Burke. The writers are Amy Bucher and Heidi Burke. The correspondent is Maria Hinojosa. The documentary includes reporting from Texas Tribune reporters Uriel J. García, Jinitzail Hernández, Zach Despart and reporter for the ProPublica-Texas Tribune Investigative Initiative, Perla Trevizo. The editor-in-chief of The Texas Tribune is Sewell Chan. The executive producers of Futuro Investigates are Peniley Ramírez and Maria Hinojosa. The president of Futuro Media is Julio Ricardo Varela. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#uvalde #SchoolShootingSurvivors #texas
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,As Barack Obama was sworn in for his second term, FRONTLINE took a probing look at the first four years of his presidency. (Aired 2013)
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
From President Barack Obama’s battles with Republican opponents over health care and the economy, to his dramatic expansion of targeted killings of enemies abroad, “Inside Obama’s Presidency” examined the 44th U.S. president’s key decisions and experiences during his first term — and how they might inform his second.
“Inside Obama’s Presidency” was a FRONTLINE Production with the Kirk Documentary Group. The director was Michael Kirk. The writers were Michael Kirk & Mike Wiser. The producers were Michael Kirk, Jim Gilmore and Mike Wiser. The reporter was Jim Gilmore. The deputy executive producer of FRONTLINE was Raney Aronson-Rath. The executive producer of FRONTLINE was David Fanning.
Explore additional reporting related to "Inside Obama’s Presidency" on our website:
https://www.pbs.org/wgbh/frontline/documentary/inside-obamas-presidency/
#Documentary #BarackObama #WhiteHouse
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Barack Obama Wins 2008 Election and Inherits A Financial Crisis - 00:50
In 2009, Republicans Develop Plan to Oppose Obama’s Initiatives - 04:06
In 2009, Financial Reform Slips Away - 12:55
The Obama Administration and the Price of Health Care Reform - 27:16
Obama’s Covert War: Targeted Killings in the “War on Terror” - 35:17
2011 Compromise on National Debt Creates ‘Fiscal Cliff’ - 40:03
49:08 - Obama Returns to 2012 Presidential Campaign Trail ‘Changed’
Credits - 51:57
,1,It’s been described as the most serious threat to Vladimir Putin’s leadership in years: the armed rebellion on June 23, led by the Russian mercenary Wagner Group and its leader, Yevgeny Prigozhin.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
Prigozhin and his forces ultimately stood down, but the mutiny raised new questions about the strength of Putin’s grip on power amid discontent around his troubled war on Ukraine.
Veteran filmmaker Michael Kirk and his team examine the story of Putin’s rise, his clashes at home and abroad, how his troubled Ukraine war led to this moment of uncertainty and what it could portend for the country, the region and the world.
Explore additional reporting related to "Putin’s Crisis" on our website:
https://www.pbs.org/wgbh/frontline/documentary/putins-crisis/
“Putin’s Crisis” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporter is Vanessa Fica. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #Putin #Russia #Prigozhin
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
Putin During the Fall of the Soviet Union and Russia’s 1991 Failed Coup - 5:54
Putin’s Political Rise and How He Dealt With Threats - 11:39
How Putin Reacted to Pro-Democracy Protests in Russia in 2011-2012 - 20:49
Putin’s Actions in Crimea and Ukraine in 2014 and the Rise of Wagner Group - 28:38
Yevgeny Prigozhin’s Role in the 2016 U.S. Elections and in Africa and the Middle East - 32:03
Putin Launches a Full-Scale Invasion of Ukraine in 2022- 38:22
Prigozhin & Wagner Group’s Role in the Ukraine War - 44:04
Credits – 53:16
,1,“It reveals that the emperor has no clothes,” journalist Peter Baker says of Yevgeny Prigozhin’s armed mutiny in Russia on June 23 in this excerpt from the FRONTLINE documentary “Putin’s Crisis.”
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
“It reveals that it is conceivable to stand against him,” Baker says. “And if you’re Putin, you’re looking around that room and you’re saying, ‘Which of these people has a knife in his belt? Which of these people might be thinking about moving on me next?’”
“Putin’s Crisis” will be available to watch in full at pbs.org/frontline and in the PBS App starting July 11, 2023, at 7/6c.
Drawing on both new interviews and the team’s years of reporting on the Russian leader, the documentary tells the inside story of Putin’s rise, his clashes at home and abroad, and how his war on Ukraine led to unexpected new challenges to his power.
Learn more on FRONTLINE's website: https://www.pbs.org/wgbh/frontline/documentary/putins-crisis/
“Putin’s Crisis” is a FRONTLINE production with the Kirk Documentary Group. The director is Michael Kirk. The producers are Michael Kirk, Mike Wiser and Vanessa Fica. The writers are Michael Kirk and Mike Wiser. The reporter is Vanessa Fica. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#documentary #Putin #Russia #Prigozhin
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,After the deaths of Nika Shakarami and Sarina Esmailzadeh, two teen girls who’d attended anti-government protests in Iran following Mahsa Zhina Amini's death in police custody, schoolgirls across the country began to hold protests of their own. Watch an excerpt from the new documentary "Inside the Iranian Uprising."
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
“Inside the Iranian Uprising” premieres in full on streaming platforms June 29 and on PBS stations August 8. The documentary features the harrowing stories of protesters, some of whom are still in the country and are speaking out despite the risks, and it sheds new light on the lengths to which the regime of Ayatollah Ali Khamenei has gone to put down the uprising.
Learn more on FRONTLINE's website: https://to.pbs.org/46p95st
"Inside the Iranian Uprising" is a Passion Pictures production for GBH/FRONTLINE in association with BBC and RAI. The producer and director is Majed Neisi. The producer is Sasha Joelle Achilli. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#DocumentaryExcerpt #Iran #WomensRights #IranProtestsSubscribe on YouTube: http://bit.ly/1BycsJWInstagram: https://www.instagram.com/frontlinepbsTwitter: https://twitter.com/frontlinepbsFacebook: https://www.facebook.com/frontlineFRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,With a trove of gripping footage filmed by protestors, this documentary goes inside the uprising that rocked Iran after the death of a young woman in police custody — and sheds new light on a regime under unprecedented pressure.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
Last fall, anti-government protests swept across Iran after the death in police custody of a young woman, Mahsa Zhina Amini, who was accused of not adhering to the Islamic regime’s strict dress code. In the crackdown on protests that followed, human rights groups estimate that more than 500 Iranians have been killed, including 72 children.
In a country where journalists are tightly controlled, young Iranians have been filming the uprising themselves and posting the videos online. For more than six months, FRONTLINE has been gathering and reviewing over 100 hours of this footage, cross-checking it with testimony from eyewitnesses and protestors, and following activists and exiles who have been gathering evidence of human rights violations.
The resulting documentary, “Inside the Iranian Uprising,” premieres on streaming platforms June 29 and on PBS stations August 8. It features the harrowing stories of protestors, some of whom are still in the country and are speaking out despite the risks, and it sheds new light on the lengths to which the regime of Ayatollah Ali Khamenei has gone to put down the uprising.
“The people are now like a volcano,” one interviewee says. “I am a volcano.”
Explore additional reporting related to "Inside The Iranian Uprising" on our website:
https://www.pbs.org/wgbh/frontline/documentary/inside-the-iranian-uprising/
Inside the Iranian Uprising is a Passion Pictures production for GBH/FRONTLINE in association with BBC and RAI. The producer and director is Majed Neisi. The producer is Sasha Joelle Achilli. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#Documentary #Iran #WomensRights #IranProtests
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,After the deaths of Nika Shakarami and Sarina Esmailzadeh, two teen girls who’d attended anti-government protests in Iran following Mahsa Zhina Amini's death in police custody, schoolgirls across the country began to hold protests of their own. Watch an excerpt from the new documentary "Inside the Iranian Uprising."
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
“Inside the Iranian Uprising” premieres in full on streaming platforms June 29 and on PBS stations August 8. The documentary features the harrowing stories of protesters, some of whom are still in the country and are speaking out despite the risks, and it sheds new light on the lengths to which the regime of Ayatollah Ali Khamenei has gone to put down the uprising.
Learn more on FRONTLINE's website: https://to.pbs.org/46p95st
"Inside the Iranian Uprising" is a Passion Pictures production for GBH/FRONTLINE in association with BBC and RAI. The producer and director is Majed Neisi. The producer is Sasha Joelle Achilli. The senior producer is Dan Edge. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#DocumentaryExcerpt #Iran #WomensRights #IranProtestsSubscribe on YouTube: http://bit.ly/1BycsJWInstagram: https://www.instagram.com/frontlinepbsTwitter: https://twitter.com/frontlinepbsFacebook: https://www.facebook.com/frontlineFRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
